Prangan Studios

2026

No big lights

An interior design studio. We run the social: the calendar, the films, and the way finished rooms are cut for a feed rather than a portfolio.

What was in it

  • Social direction
  • Content calendar
  • Film
The Prangan film: afternoon light across a wooden table with a woven mat, a glass and a phone, under the line a No Big Lights type of person.

No big lights

The film opens on a line that is the studio’s whole position in five words: rooms lit by lamps and afternoon rather than a ceiling grid. It is cut vertical for a feed, it holds on a table, a jar and a phone before it shows a single room, and it ends on a plain terracotta circle instead of a logo animation.

The Monarque: a long black pool running down a white arched courtyard, sun loungers and palms on both sides, the name set above the far arcade.

The work

Houses, and one hospitality project. The Monarque runs a black pool the length of a white arched courtyard with palms down both sides, the only piece in the set that is not domestic, and the one that sets the scale for everything else.

A living room under exposed wooden beams: a tan sofa, a low travertine table, a rattan pendant and a row of framed prints along the back wall.

Warm as a discipline

Every room in the set is built from the same narrow palette: oak, clay, off-white, black metal. That is what makes a grid read as one studio rather than a stream of unrelated jobs, and it is doing the work before anyone gets to a caption.

A rooftop terrace at sunset: a curtained daybed and low seating against the city skyline, candles lit along the parapet.

The hour it is shot in

The terrace is photographed at sunset with the candles already lit and the curtains moving, which is the hour the studio actually designs for. Nothing in the frame is switched on overhead. The argument and the photography agree, which is rarer than it sounds.

A bedroom in warm brown, a lit arc set into the wall behind the bed and a planted corner beside it.
A pale bedroom with black bedside lamps, a single framed print and full-height curtains open to the window.
A kitchen in warm brown cabinetry with a black tap, pans hung on a rail and a window over the sink.
A bathroom in pale stone: a freestanding tub, a black-framed shower screen and a wall-hung vanity under a strip of cove light.